She knew things - private things. How could she have known all that?
A lot of times they read the obits.
All she had to do was see the word "banker." Boom.
They even go through your garbage to find things they can use.
Letters, old papers. It doesn't take much.
No.
It was real.
She knew about a sweater I knitted.
And songs we sang.
The trip to Montego Bay.
I'm sorry. I know this is hard.
People want so much to believe.
They're grieving, they're vulnerable. And they will give anything
for one last moment. Believe me, these people know what they're doing.
I know how you must feel, but you know you can press charges.
No.
Thank you.
Oh, God, let this be it.
Yes!
- Hello. - Eddie, it's Carl Bruner.
Everything's fine. We're all set. What do you want me to do?
I want you to transfer the money into a single account
under the name "Rita Miller."
Tomorrow, at five minutes before closing, 3.55 pm,
transfer the full account to the First Island Bank of Nassau,
registry number 486-9580.
- Call us when it's done. - OK, I've got it.
Just tell Mr Balistrari that there won't be any more problems, OK.
Yeah, I'll do that. Good work.
Molly, why can't you hear me? I need you.
- Who is it? - It's Carl, Molly.
No, don't open the goddamn door! He's a murderer.
Listen, I know it's late. I'm sorry to disturb you.
I've been thinking about you all day.
I feel really lousy about last night.
- This supernatural thing... - Don't worry about it, really. It's OK.
It's not. You needed me to hear you, and I didn't.
I wasn't there for you, and that was wrong.
It's just... I just...
I want you to know that I'm your friend.
- Thanks, Carl. - You were never her friend.
- That means a lot to me. - Me, too.
I've brought you some Japanese apple pears.
- Thanks, that's very sweet. - Could I come in for a second?
I won't stay long, it's just been one of those days.
- Yeah, come on in. - No, Molly.
You seem a little tense. Are you OK?
No, I'm fine. It's just... What can I tell you? It's been tough.
It still hurts so much.
- You lying snake! - On top of it, there's stuff at work.
They've given me my own accounts, which is good.
But I just haven't really had time to adjust,
to absorb everything.
It's no big deal.
- Can I have a little more cream? - Yeah.
Oh, shit! Jesus, I can't believe I did that.
- Are you all right? - I'm fine.
- Let me throw that in the washer. - Don't worry about it. It's OK.
- Can I get you another shirt? - No, it'll dry in a minute.
Where were you today? I thought you were coming into the bank.
I was supposed to, but I didn't have time. I went to the police.
You did? What did you tell them? What did they say?
It was awful.
I felt really stupid.
They brought out a file on this woman at least ten inches thick.
- Rip-off artist, huh? - No, Molly!
You know, the sad thing is that I believed her.
Molly...
...sometimes we need to believe.
Why? What's the point?
It's not easy to face the realities of life.
Sometimes you've got to give yourself that.
You've got to remember the love you guys felt. That's real.
Remember how good Sam was, how much he loved you.
You were everything to him, Molly. You were his life.
I feel so alone.
You're not alone, OK.
You've got your work - you're talented. You're young.
You're fantastically gorgeous.
I don't know what's real anymore.
I don't know what to think.
Just think about Sam.
Think about the time you two guys had together. How wonderful that was.
Let your feelings out, it's OK.
Life turns on a dime.
You know...?
People think they're forever, that there is always tomorrow. That's bullshit.
Sam taught us that.
We have to live for now.
For today.
- I can't. I'm sorry. - It's OK.
- I can't, it's just too soon. - It's OK.
You've been great, Carl.
- But I need you to leave. - It's OK, I understand.
Please...
Could we just have dinner tomorrow? Just talk.
- Yeah, sure. - Great.
Hey!
- Get off my train! - No.
Get off!
Get off! Get off!
Get off! Get out of here!
- Get off! - No.
Show me how you do that. I'm not leaving till you teach me.
Get off!
- No. - Get off!
You stubborn asshole!
What the hell are you doing? You're trying to move it with your fingers.
You can't push it with your finger. You're dead.
It's all in your mind. Your problem is that you still think you're real.
You think you're wearing those clothes? That you're crouching there?
Bullshit! You ain't got a body no more. It's all up here now.
You want to move something, you've got to move it with your mind. Focus!
- How? How do you focus? - I don't know how you focus.
You just focus.
How did you do that?
You take all of your emotions, all your anger, love, hate.
Push it, down here into the pit of your stomach,
and then let it explode, like a reactor.
Don't laugh!
- Way to go, kid. - I did it!
I did it!
Way to go.
From your gut, like I told you.
Give it time. What else have you got?
How long have you been here?
Since they pushed me.
- Someone pushed you? - Yeah.
- Who? - You don't believe me?
You think I fell? You think I jumped? Well, fuck you!
It wasn't my time! I wasn't supposed to go!
I'm not supposed to be here.
I'd give anything for a drag!
- Just one drag. - Are you all right?
Who are you? Why are you hounding me? Who sent you?
Who sent you?
Leave me alone!
Concentrate, and you'll probably rouse him.
- What's his name again? - Orlando.
Orlando, Orlando. Is there an Orlando here?
- I'm here. - He's here.
- Sam! - I'm Orlando. The line's over there.
Where did these ghosts come from? You can hear them, too?
In the morning and in the evening. They come into the shower!
Did you tell every spook in the world about me?
I got spooks from Jersey. There's stuff going on you wouldn't believe.
- It's amazing. You're really doing it! - Can you please hurry this up?
Chill out!
I need your help again. There's something we need to do.
I'm not doing anything else with you.
You're holding on to a life that doesn't want you anymore. Give up the ghost.
- Are you speaking to me? - Does it look like I'm speaking to you?
You're supposed to be concentrating. Are you going to try it?
Are you going to get out? I've got work to do.
Fine, then stay there. Excuse me, are you ready now?
Let's do it.
Listen, I've got to talk to you now. I've got a plan.
Oda Mae?
Ortisha.
- Orlando! Is that you? - Where are you at? I can hardly see.
- She's here! - In front of you. I'm right here!
Damn, baby, what did you do to your hair?
Orlando, do you like it? It's autumn sunrise.
Get out of me, you son of a bitch!
- Don't ever do that to me again! - Orlando...?
I can barely move.
You should know better. Jumping into bodies wipes you out.
- Everybody out! - What happened to Orlando?
Are you deaf? I said everybody out!
Everybody out! Get out, get out! Everybody get out!
- Get out! - Are you the fortune-teller?
- Who are you? - That's an interesting question.
- Why don't you tell me? - Willie.
Willie?
- Prospect Place Willie? - Get out of here fast!
I'm all right.
- We're in trouble. You have to help. - Who's we? You're already dead.
- They're trying to kill me! - And they'll be back.
Why don't you find a house to haunt?
Get some chains and rattle them.
I have a plan. You've got to get some fake IDs.
- Forget it. - If you do this, they'll leave you alone.
Scout's honour.
All right.
What exactly do I have to do?
Have you got a nice dress?
- What's wrong with my clothes? - I made a joke. I love your shoes.
I'm going home. I don't know anything about banking. I don't know if it'll work.
- Just relax. - I'm nervous.
I know you're nervous, but I'll get you through it.
I don't think I should do this.
- We're going to New Accounts. - I'm giving them no money!
Do what I say, and don't talk!
You're here to fill out a signature card for a new account.
- Can I help you? - Yes.
I'm here to fill out a card for a new account.
- Do you know your account number? - 926-31043.
926-31043.
- Rita Miller. - What?
Tell her Rita Miller.
Didn't you sign when you opened the account?
Tell her Carl Bruner did it by phone.
Carl Bruner opened that account for me by phone,
and he's asked me to come in today.
- Is that right? - Yeah.
Just sign this card on the bottom line, please.
May I use your pen?
No! Rita Miller!
I'm so sorry.
I need another one. I signed the wrong name.
Tell her to send it up to the third floor file, you have a transaction to make.
Make sure this goes to the third floor, I have a transfusion to make.
Let's go.
You know what I mean...! Can I keep this pen?
- Yes, sure. - Thank you so much.
Bye-bye. I love these pens.
What do you want to keep the pen for?
Carl Bruner speaking. Mr Balistrari?
Balistrari? It's me, John.
John... Sorry!
What's up?
I've got the info on the Bradley portfolio.
- I'll pick it up later, all right? - I'll be here till six.
I couldn't talk you into losing the hat?
Keep messing with me, you'll be here by yourself.
You're here to see Lyle Ferguson.
- I'm here to see Lyle Ferguson. - Do you have an appointment?
- No, I'm here for my health. - Tell him Rita Miller's here!
- Tell him Rita Miller's here. - Just one moment, please.
- Don't embellish. - Jawohl!
Excuse me?
This guy Ferguson is a real jerk.
I've known him five years.
- Why are you whispering? - Just listen!
He's a social moron, you've got nothing to worry about.
Tell the guard Ferguson knows you, from the Brewster's Christmas party.
What is this in regards to?
He doesn't remember me? We spent time at the Brewster's, last Christmas.
He and his lovely wife, Shirley. It was beautiful. A big old tree and presents...
Gas!
I get a little gas from time to time.
- Quit poking me! - Well, don't overdo it!
Ferguson was so drunk, he could've met Tina Turner and not remember.
Here we go!
Hello.
Of course. Well, it's been a long time.
- Oh, a long time. - Ask about Bobby and Snooky.
- How are Bobby and Snooky? - Fine... fine.
Thank you for asking.
And how is your...
...family? - Oh, couldn't be better.
Well, wonderful.
Ask how they did on the Gibraltar Securities.
I was wondering, how did you do on the Gibraltar Securities?
Gibraltar Securities? Well, it looks like we topped out on that one.
- We sure did. - That was a very useful tip.
Good old Randy.
Got a good head on his shoulders... her shoulders.
- Her shoulders. - Randy.
So, what brings you here today?
I'm closing an account.
Do you have your account number?
- Yes? Yes. - 926-31043.
926...
...31043. Is that right?
Well, Rita - it looks like you'll be withdrawing four million dollars.
- Four million dollars! - Say yes.
- Is that correct? - Yes.
Yes. That's correct.
- How would you like that? - Tens and twenties.
- Pardon? - Tell him a cashier's cheque.
- A cashier's cheque. - Cashier's cheque. Fine!
Of course, you know we require identification.
It's a procedural thing.
Thank you. I'll be right back.
Four million dollars!
Get me the First Island Bank of Nassau. It's on the Rolodex.
Now, we have some things for you to sign here.
This officially closes the account.
Sign "Rita Miller."
Miller - that's my name.
My name - Rita Miller.
My name.
I'll be right back.
- Just anywhere? - Right here.
Fine.
The cheque...
...here you are.
Mama took the money from the oil wells,
and she sunk it into gas pumps.
And those gas stations have five or six of those things, so it's lucrative.
- Oda Mae, we've got to go. - Got to go now.
It's been a pleasure doing business. May I keep the pen?
Say goodnight to Bobby and Snooky for me.
Bye-bye.
What is wrong?
Excuse me - Lyle?
Molly Jensen.
The woman you were doing business with. What did she want?
Did it have anything to do with me or Sam?
- Sam? No. - That was Oda Mae Brown, right?
Her name was Rita Miller. She was closing an account.
Is there a problem?
No. I guess not.
Carl? Is something wrong?
Did somebody play with the computers?
- One of my accounts is closed. - What's wrong?
- Do you want me to call someone? - It's OK.
Four million dollars! What am I going to do with this money?
I'm going to buy the building. No, I'll buy the block.
I'm going to make my sister go to a fat farm.
Wait, Oda Mae. Take the cheque out of your purse.
You're right, I'll put it where nobody can get it.
No. Endorse it.
No, if I drop it, then somebody will get it.
It's not yours. I never said you would get the money.
This is blood money. I was killed for this money. Endorse the cheque.
- What are you going to do with it? - Look over there.
To your left.
You don't think I'm giving this to a bunch of nuns?
Otherwise they will track you down. Your only protection is to get rid of it.
You're kidding me!
You'll go to heaven!
I want to go to a bank and cash this cheque.
- Hello. - You'll thank me later.
- Endorse it "Rita Miller." - I know!
Make it out to St Joseph's Shelter.
I don't believe you're making me do this!
- Give it to her. - I just want to feel it in my fingers.
- Just give her the cheque! - I will!
- Give her the cheque! - I will!
Bless you, child. Bless you.
Give it to her.
Let go. Let go!
- I'm proud of you. - I don't care. Stay away from me!
What'll that nun do with it? She can't go buy underwear!
Leave me alone! Never talk to me again.
You're wonderful, Oda Mae!
Go ahead, search! You'll never find it.
They're going to kill you and Willie. You're going to be fertiliser.
They're going to bury you next to Jimmy Hoffa.
Who's doing that?
Hi. Where were you? I thought we were having dinner.
- Things got a little crazy, I forgot. - A little trouble at the bank.
I wish you'd have called. I've been worried.
- I've got to ask you about something. - He needs to borrow $4,000,000.
When you said you thought Sam was talking to you,
- what did he say to you? - Why?
Listen, I want to know exactly what this psychic lady told you.
Carl, let me go! Stop this!
It doesn't matter. It wasn't real.
What the hell's happened to you?
Does this have anything to do with her being at the bank today?
At the bank?
Ferguson said she closed an account.
Her name isn't even Oda Mae Brown. It's Rita Miller.
Carl. Are you all right?
It's just my stomach.
Do you have some Pepto-Bismol?
- Cyanide. - It's upstairs. Sit down, I'll get it.
What's wrong? Does little Carl have a tummy ache?
Now do you believe in ghosts?
I'll set the place on fire!
- I'll cut her throat. - Carl!
I swear to God. I'll cut her throat.
I need that money. I want it tonight, at 11 o'clock.
If that psychic lady does not bring it here, Molly is dead, OK?
Carl, who are you talking to?
Nothing. Molly, I have to go.
I can't explain it now, but there's a problem at the bank.
- You're scaring me. - I can't talk now, I'll be back.
- Why not now? - I can't talk now.
I'll come back at 11 o'clock, OK? I'm sorry, but it's really important.
- Eleven! - Oda Mae!
I'm Arsenio Hall. Don't try to adjust your television. I'm black.
- I want to watch "Love Connection." - I love "Love Connection."
Leave that! That's Arsenio.
You love "Love Connection," send your picture in.
- She did! - They just haven't answered yet.
- Oda Mae! - Sam?
We're in trouble. They want the cheque.
The cheque you said they would never know about?
- What's happening? - They're here!
Get out of here, now! Go, go!
Knock on the doors!
Help!
- Let us in! - Who are you kidding?
What are you doing? The cat don't like visitors.
They're going to get us. Where's Sam?
- It looks like the bitch just left. - I'll check downstairs.
Carl?
Willie!
You've got a serious problem, man.
Help me! Help!
That dude is dead.
You're dead, Willie.
Help me!
Tell the driver to hurry.
- Can you step on it, please. - I'm driving as fast as I can.
Problems?
- Carl, is that you? - It's me, Oda Mae.
I know what you think of me, but we've got to talk. You are in serious danger.
- I've got Sam here with me. - Get the hell out of here!
- I'm calling the police! - Good. Tell her to do it!
Fine. We want you to call the police. But you've got to let us in.
Don't you get it? Sam wasn't accidentally killed, he was murdered.
He found out that Carl was laundering money.
Carl is dangerous. He tried to kill me.
He's going to try to kill you, too. You are in deep, deep trouble.
Why are you doing this to me? Do you hear me?
Why are you doing this to me?
Oda Mae. Tell her she's wearing the shirt that I spilt the margarita on,
and the earrings I gave her for Christmas.
Sam says you're wearing the shirt he spilt the margarita on,
and the earrings he gave you for Christmas.
Don't you see? I'm not a fake! Not about this.
- Give me a penny. - What?
- Push a penny under the door, now! - What are you talking about?
- Tell her it's for luck. - Sam says it's for luck.
Between Green and Mercer on Prince.
It's the grey building across from the post office.
Thanks, Sergeant. Please hurry! We'll be waiting.
- They're on their way. - Good.
- What do we do now? - Just wait.
Is Sam here?
Sam?
I'm sitting beside her.
He's sitting right beside you.
Sam, can you feel me?
With all my heart.
He says with all his heart.
I'd give anything if I could just touch you once more.
He says he wishes he was alive again, so he could touch you.
Me, too.
OK. Look - you can use me.
- Use you? - Use my body.
- Use your body? - Quick, before I change my mind.
- Molly, are you home? - Carl.
- Molly! - Fire escape.
What's happening to me?
Molly?
Molly!
Come on!
Look!
Let's go!
- Molly! - Get away from us, Carl!
- Molly! - You're just a liar.
This woman's a thief. She's a con artist.
Why are you doing this?
Stop!
Get away from us. I've called the police.
Shit!
- Carl, why are you doing this? - She's a thief!
Just give me the cheque!
Stay out of this, Molly!
Get off me!
Where is it?
- Where is it, goddammit? - I gave it away.
You're lying to me. Don't lie to me, goddammit.
The cheque!
I'll kill her, Sam. I swear to God, I'll kill her!
Just give me the cheque, Sam.
I promise you I'll let her go if you just give it to me.
Sam?
Oh, Carl...
What?
Are you two all right?
Sam?
Molly?
I can hear you!
Oh, God!
Sam?
They're waiting for you.
I'll miss you.
Your mother'd be proud.
I'm going to miss you too, Sam. You're all right!
Bye, Oda Mae.
Bye, Sam.
I love you, Molly.
I've always loved you.
Ditto.
It's amazing, Molly.
The love inside - you take it with you.
See you.
Bye.
ENGLISH